Analysis of the piece based on how they treated the techniques commonly used by the mentioned composers: Renaissance / Classical / 20th Century / Baroque / Medieval / Romantic
Johann Sebastian Bach
Fugal
Melisma
Tonality
Imitation
Counter-melody
Stretto
Augmentation
Pedal
Decorated Suspension
George Frederic Handel
Fanfare
Tutti
Homophony
Terraced dynamics
Irregular phrasing
Dotted rhythms
Polyphony
W.A. Mozart
Appogiatura
Alberti Bass
Regular phrases
Stepwise melody
Conjunct motion
Arch contour
Melody dominated homophony
Chromatic gestures
Contrast and interest
Ludwig Van Beethoven
Dotted rhythm
Minor tonality
Rubato
Fermata
Expressive markings
Huge dynmaic contrast
Sfrozando
Accents
Accelerando
Felix Mendelssohn-Bartoldy
Canatbile
Triplet
2 against 3
More use of dissonance
Johann Strauss
Waltz (3/4 time)
Richard Wagner
Total art
Very dramatic
Huge orchestra
Fanfare
Claude Debussy
Modal
Impressionism
Whole tone scale
Parallel harmony
Cross over of popular music and other world music
Stockhausen
Experimental electronic composer
1950's
Pioneer of electronica
William Byrd
Decorated suspension
Renaissance
Mass
Motet
Secular songs
Lute songs
Modal
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